Since the beginning of time, the Moon has controlled life on Earth and shepherded the human mind through a spectacular journey of thought, wonder, power, knowledge, and myth. But this frenzied, multifarious, Earthly history disguises the truth of the Moon. As vivid and lively as our history with it has been, the Moon itself is quiet, barren, and still. This was not always the case: When the Moon was young, it was livid with energy and heat, a magnetic field, oceans of lava, and maybe an active crust like the one that warps and wrinkles the face of our world. But no one was around for this lively phase. The only Moon we have ever known is the spectral one in our sky, the two-dimensional one, the cold and silent one. Nothing happens there, except the occasional arrival of an asteroid or the briefly violent puff of a crashed or landed spacecraft. Nothing looks up, nothing breathes, nothing hopes. When Apollo 11 astronaut Buzz Aldrin walked on the Moon in 1969, he described his surroundings as “magnificent desolation,” an interpretation that has yet to be bested. It’s difficult to liken the Moon to any where familiar, because anywhere familiar is a place on Earth. Even from orbit, Earth looks and feels like home. Astronauts report that staring down on our planet is one of the most exhilarating things about being in space. We belong here. Earth’s razor-thin atmosphere, cloud tendrils, green-carpeted continents, and deep ocean blues beckon us. Humans are sensory beings, and the Moon is a place devoid of any familiar sensory experience. Not so for the Moon, according to Collins, who orbited it alone in his spacecraft but did not walk on it. There is no comfort to the “withered, sun-seared peach pit out my window,” he wrote in his memoir, Carrying the Fire. “Its invitation is monotonous and meant for geologists only.” Humans are sensory beings, and the Moon is a place devoid of any familiar sensory experience. If you were to visit, you might experience conflicting feelings of deprivation and overwhelm. Every time you went […]
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