Hebe Uhart. Photograph by Nora Lezano. Hebe Uhart had a unique way of looking—a power of observation that was streaked with humor, but which above all spoke to her tremendous curiosity. Uhart, a prolific Argentine writer of novels, short stories, and travel logs, died in 2018. “In the last years of her life, Hebe Uhart read as much fiction as nonfiction, but she preferred writing crónicas, she used to say, because she felt that what the world had to offer was more interesting than her own experience or imagination,” writes Mariana Enríquez in an introduction to a newly translated volume of these crónicas , which will be published in May by Archipelago Books. At the Review , where we published one of Uhart’s short stories posthumously in 2019, we will be publishing a series of these crónicas in the coming months. Read others in the series here . Yesterday I was riding the 92. The bus was half-empty and a woman of about sixty or seventy caught my eye. It was difficult to get a sense of her age, or her social class. Could she be poor? No, but she didn’t seem rich either, nor did I pick up on any of that visible effort the middle class put into their appearance: dressing neatly, in complementary colors. Her clothes reminded me, more than anything, of someone trying to go incognito. She didn’t come off as a housewife; I decided she had the look of a government inspector. She sat down beside me. “Señora, I’m getting off at Pueyrredón,” I said, so I wouldn’t have to get up if her stop was before mine. “Works for me,” she said, “I’m getting off at Laprida.” She settled in beside the window as though she owned the seat and was allowing me to sit next to her. The bus driver was a young, pudgy guy, but agile. He drove expertly and very fast, which I noticed when we passed another 92 (they tend to run two or three at a time, the drivers amusing themselves by racing). He changed gears smoothly, as […]
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