“It Conveyed Them”: When The Beatles Recorded “Twist and Shout”

As it turned out, on that day they didn’t finish the work in the morning and afternoon sessions. In fact they were still there at ten o’clock at night, the point in the evening when Abbey Road neighbours were inclined to complain, particularly if a band was using the echo chamber on the outside of the building. Most of what they had recorded that day would go on the first LP but George Martin decided that “Hold Me Tight” was not quite strong enough yet and therefore he needed another tune to complete the record. They took a break in the canteen in the basement to decide what it might be. It was Alan Smith, a journalist friend from Liverpool who was with them that day writing a story for NME , who suggested they do “Twist And Shout”—or, as he said at the time, “the thing you do that sounds like ‘La Bamba.’” This seemed as good an idea as any. They returned to Studio Two and took up their positions. They were exhausted by the demands of the day and thinking about how early they would have to get up in the morning. John was further wondering whether his flu-racked voice could possibly hold up for the performance ahead. “Twist And Shout” had been recorded by American R&B groups the Top Notes and the Isley Brothers. Both recordings are in their different ways very American and twist-worthy in a decorous way. You could imagine advertising men dancing to it in New York’s Peppermint Lounge. In the hands of the Beatles in Studio Two that night in June 1962 the song was not so much transformed as transcended. If Norman Smith required any vindication of his quest for a new, live sound, “Twist And Shout” provided it. While the combined vocal and instrumental attack of the other three shut off any possibility of retreat, John Lennon sang the song like it was the last he would ever sing. Since they abandoned a further take, this was what “Twist And Shout” proved to be for that night and for […]

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