In her essay collection “Wannabe,” Aisha Harris argues that Black critics can both appreciate, and demand more from, shifts in popular culture. Among the pop culture subjects discussed in “Wannabe” (clockwise from top left): Lamorne Morris, at left, in “New Girl”; Will Smith in “King Richard”; John Legend; Gabrielle Union, at right, in “She’s All That”; Katherine Heigl and Seth Rogen in “Knocked Up.” June 12, 2023, 5:02 a.m. ET When you purchase an independently reviewed book through our site, we earn an affiliate commission. WANNABE: Reckonings With the Pop Culture That Shapes Me , by Aisha Harris Being a Black critic in a time of exceptional art made by Black people has immense rewards and myriad risks. “Wannabe,” the debut essay collection from Aisha Harris, a co-host of NPR’s “Pop Culture Happy Hour,” is at its best when engaging with those risks and the thorny questions of her profession. In what ways does identity inform a critic’s work? And should it? Harris can laugh about the demands of endorsing positive representations of Blackness, no matter how trite (“When encountering Black art out in the wild, be on the lookout for Black Girl Magic, Black Love, Black Excellence and the direct involvement of Common and/or John Legend”). She cheekily pushes Issa Rae’s now-famous awards show proclamation — “I’m rooting for everybody Black” — to its most absurd extent: “It’s only right we take her at her literal word and support all Black artists and art, no matter how questionable, incompetent or just plain offensive they might be.” But when a podcast listener chastises Harris for finding the Will Smith movie “King Richard” middling, she roars back. “I don’t want to ‘just be happy’ about ‘King Richard,’” she insists. “I want interiority and surprise and characters who feel as though they have a reason to exist beyond retelling history.” It’s complicated, though. Harris recounts conflictedness about being disappointed by “A Wrinkle in Time,” which was directed by Ava DuVernay, whose film career was firmly on the rise. Harris, who wrote movie reviews for Slate and is a former editor at […]
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