Shadow Canons: Danzy Senna and Andrew Martin Recommend

Snow on snow in Geneva, Switzerland, courtesy of jenny downing, CC BY 2.0, via Wikimedia Commons. Over the last few years, I’ve been reading unappreciated and erased novels by Black artists from the twentieth century. They’ve helped me think about the idea of illegibility—about what the literary world has historically deemed too wild, complex, radical, experimental, or challenging to be included in the precarious and burgeoning Black canon. I’m also interested in why some promising writers give up after only one or two books. What conditions are required to be a writer over a lifetime? Some of these forgotten novels have since been rediscovered, like Nella Larsen’s twenties classics and Fran Ross’s 1974 Black feminist picaresque, Oreo. Others are still fairly unknown, like William Melvin Kelly’s dem and Willard Savoy’s Alien Land , his only novel, published in 1949, about mixed-race identity and passing. My most recent addition to this “shadow” canon is Alice Mills Newman’s Francisco . Originally published by Ishmael Reed’s press in 1974, it’s a California road-trip story about a Black woman artist, musician, and actress whose husband, the eponymous Francisco, is a Black indie filmmaker. Reading it, I can see how it rubs against that era’s prescribed notions of uplift, chastity, and even Black feminism in its celebration of Black love, sensuality, and joy. It doesn’t deal in the familiar tropes of trauma or alienation, and the female narrator is enthralled by her male lover at a time when narratives about Black men as absent or as abusers were more palatable to the mainstream. Thanks to New Directions, who reissued the book a couple weeks ago, it’s found its way back into the world in time for the author herself to experience its discovery. —Danzy Senna Read Danzy Senna on Robert Plunket here . The career of the filmmaker/playwright/novelist/actor Bill Gunn serves as both a cautionary tale about the racial and aesthetic narrow-mindedness of the American film industry and a still-visible signal flare to artists interested in pushing beyond conventional forms. His best known work, Ganja & Hess , which he wrote and directed, is […]

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